5. Juno creeping up on Callisto. This shot forces the audience into the viewpoint of the antagonist, making the shot pretty voyeuristic and perhaps would make the audience feel uncomfortable. The same way a theatre audience feels uncomfortable when they know something the protagonist doesn't and they aren't able to tell them.
I think the last of the two is more successful as it looks less rushed but still suggests Juno approaching Callisto quite promptly. There's definitely something quite creepy about these shots, something that appears to be created by the shakiness of my stop motion technique.
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